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
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
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







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In The Dark, We Lose Our Edges is an immersive installation created for the 15th edition of the Sharjah Biennial. This project consists of three ceramic busts set in a sea of blue sand amidst freestanding faux boulders and surrounded by a 2100 sq. ft. immersive wall painting. This surreal landscape is accompanied by an original soundscape composed by Chris Pattishall and encircled by 8 large-scale diptychs that combine cyanotype and watercolor processes. The total work is an homage to the trickster and shapeshifter figures that interrupt legibility and corrupt the colonial imaginary.
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Three Secrets of a Tsunami, 2022, 36 x 24 x 24 inches, ceramic, gold leaf, epoxy, spray foam, acrylic paint
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Three Secrets of a Tsunami, 2022, 36 x 24 x 24 inches, ceramic, gold leaf, epoxy, spray foam, acrylic paint
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Three Secrets of a Tsunami, 2022, 36 x 24 x 24 inches, ceramic, gold leaf, epoxy, spray foam, acrylic paint
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Three Secrets of a Tsunami, 2022, 36 x 24 x 24 inches, ceramic, gold leaf, epoxy, spray foam, acrylic paint

A Temporary Understanding of John W. Cooper, 2022, 72 x 72 inches each work, watercolour, ink and cyanotype on paper

A Temporary Understanding of Octavia Butler, 2022, 72 x 72 inches each work, watercolour, ink and cyanotype on paper

A Temporary Understanding of Ellen Craft, 2022, 72 x 72 inches each work, watercolour, ink and cyanotype on paper

A Temporary Understanding of Yma Sumac, 2022, 72 x 72 inches each work, watercolour, ink and cyanotype on paper

A Temporary Understanding of Samuel. R Delany, 2022, 72 x 72 inches each work, watercolour, ink, collage and cyanotype on paper

A Temporary Understanding of Kool Keith 2022, 72 x 72 inches each work, watercolour, ink, collage and cyanotype on paper

A Temporary Understanding of Grace Jones, 2022, 72 x 72 inches each work, watercolour, ink and cyanotype on paper

A Temporary Understanding of John the Conqueror, 2022, 72 x 72 inches each work, watercolour, ink and cyanotype on paper